Age/Gender: 26, Male
Location: Worcester, UK
Job: Author / Review Mod
Woe to you, oh Earth and Sea, for the Devil sends the beast with Wrath.
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874 Reviews | 552 w/ Responses
Not quite sure how this sounds like someone killing to you, but I think it's more of a tune that reflects on the goings on in some sort of fairy tale town, where everything is perfect. I think they are preparing for some big homecoming
I like the way that it loops - it's been done a little roughly, but this certainly works, be it by fluke or not, I don't care!
You could ahve given us more length on this song, but with the loop, it does tend to sound better.
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I'm not so sure aboput the vocal sampling on this track, but the beat and the melody you've got going with this track are the definate best parts of this track.
Why would a weighted companion cube ever threaten to stab me?!
The only thing about the beat is that it's a little repetitive and if you added more variation, you could alter it up, not just by changing the sounds of the tune, but you could add another vocal sample "that does not mean you should not be nice to your companion cube", for example.
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Author's Response:
Someone has yet to play portal :O
thanks for the review.
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This track has the fine qualities of longevity, imagination and great presentation. Yopu've paid great attention to detail and must have spent a good long while arranging this.
3 weeks is an amazing figure of time spent, to give such a wonderful, calming piece. Very Zen, I must say.
Where do you get your inspiration from? Do you just go out there and grab a few random instruments in the music program and mess around until you find a base sound that you like, then develop it? Or do you get the idea in your head for something as massive as this tune, then get it down onto the computer ASAP?
Good length, a great way of showing some vivid imagery in my mind, as I've got quite a few pictures swimming around my head right now. Most of them involve diving to about 2-3 metres below the surface of the Mediteranean and swimming amongst the coral reefs.
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Author's Response:
Where I get my inspiration from, varies, but either I'm just playing with a music program- then suddenly play the right melody or note progression with the right sounding instrument, then build on it- all my 08 songs so far are a result of that. For this one, I just picked up an old project.
Most of my favourite own songs are the result of a burst of inspiration from somewhere else- a song I'm making now for example, is a result of spring coming to Norway- It was a very sudden change from winter, and the burst of inspiration I got from simply looking outside, had me write a big chunk of a song in few hours.
Stupid rambling galore ;D
Thanks a lot for the review!
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A little on the repetitive side, but i do really like the crowd sounds that you added at the start - almost Ibiza in it's simplicity, but I feel that it's not quite got enough bass to take care of that particular island paradise for sexually transmitted disease trading :P
The melody was quite nice, with some sort of wierd effect over the notes, which tended to affect my enjoyment of the track in a negative way. After about 3 plays, I'm beginning to see why I'm not exactly a fan of this type of music. It's difficult to concentrate on, so would be ideal as a concentration breaking track on some sort of puzzle game.
[Review Request Club]
Author's Response:
Thanks for the review, you made some good points. They've been noted, and hopefully, when I can be bothered to get off my fat lazy ass (lol stereotype, I'm not really fat =P) I'll be able to make this a bit better.
Cheers.
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This piece certainly exemplifies the wide range of tempos available on your music composing programme. I'm impressed.
I think that you would have been better occupied keeping the range of tempos shorter and concentrating more on the range of notes that you've used instead. That would have made for a much more consistent track, which doesn't get lost with the almost constantly changing speed.
With regards to the drum beat, I would not have increased the beat of the bass drum - try working with that, to keep the origin of the track as a marker for the beat and see how that one plays out.
[Review Request Club]
Author's Response:
You can do wonders with FL if you know how to do it. It's a very dynamic program :D
There are only two speed changes throughout the song >_>; Granted, the song's very short, so maybe it's too much.
Drums were never my forte :P
Thanks for the review!
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This tune takes a while to get going from the piano intorduction, but when the guitars came in, you didn't dissapoint. What I felt that was missing here was the length of the guitar piece and maybe some vocals.
The guitar seems to be the dominant force of the track, when it starts, taking over nicely from the piano. After the guitar and drums stop, the piano sets in again, but it feels like you've dominated the track with the piano, which is essentially overkill.
Still, a very nice track, if only for more guitar playing.
[Review Request Club]
Author's Response:
Can't the guitar, the drums, and the piano just all get along? *shot for bad joke*
I didn't intend to have one instrument dominate the track, rather, set a mood with the piano and finish it off with the guitar.
Thanks for the review!
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For this piece to sound like an alarm, you really do need to ratchett up the tempo and maybe even increase the pitch of the notes. Reminds me more of people trying to escape from a prison, for example.
Nice length on this tune and a good use of the scales in this particular tune. It didn't really loop that well, which was dissapointing. More work on that is definately required, but with the fact that the tune is 3 minutes long, you've given us a chance to forget about it between loops.
More variation is a must for a track this long.
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I liked this piece - it's good to see a tune that's been added to another submission on Newgrounds, for a change.
The tune has a certain Final Fantsy quality about it - certainly not a distinct quality of it, but it's definately there. The harpsichord was a wonderful instrument to use in this instance and I can see it in certain 8-bit Dungeons and Dragons style platforms, for example.
It was a little on the short side, but overall, I liked it.
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"Doesn't say Boss fight to me..."
Not that it's not a good track, The track is good and you can feel the importance of the tune, maybe with some good plotline before the fight itself. I'd say that the boss fight needed to have more urgency about it, so this crucial tune could be used to build up towards that climactic conflict.
I have heard tunes like this used for boss fights before, but nothing exactly major, in the terms of the boss themself.
What I do like about this tune is the excellent drumbeat. That does convey a sense of urgency and forboding, which is always useful in something like this. If you're gunning for a video gmae, you need to get the player's pulse elevated and give them something that they won't neccessarily be able to fight against so easily. This is one of the sneaky methods of doing that.
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Author's Response:
exactly
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"Sonds more Sonic this time ;)"
A slow tune that I can think of as Sonic? I know it's almost a contradiction in terms, but it is still believeable to be a Sonic tune.
Did you write this yourself for your Sonic flash? I'm looking forward to seeing how that plays out in the flash if that is the case.
I think that the piece is nice on entry to some sort of deserted looking building that may or may not contain an evil genius, complete with sub-plot and nasty fiends to fight, for example.
Try slowing down the tempo, it makes it sound more creepy. Trust me.
[Review Request Club]
Author's Response:
Thanks!
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